SUM – symposium and concert in Stockholm

SUM symposium and concert in Stockholm, Wednesday, February 17, 2010

Systematic Understanding of Music
Today, digitally informed music has reached a point where it has become feasible to detect emotion content in the musical audio stream (sound). When this is applied in real-time to aspects of its response, a new context for the creation, performance and listening to music is established where man and machine can interact in much more meaningful ways than previously. This provides for new and more engaged expressions, giving new horizons for musical artwork.

The purpose of the SUM project is to develop such tools by building on existing work by internationally outstanding scholars in the Nordic countries in digital signal processing, music cognition, emotion expression, and interaction software development. For additional information about the SUM project:

SUM symposium
Onsdagen den 17 februari 2010 kl 10.00-17.00
A330 (Kompositionsseminariet), Kungliga Musikhögskolan, Valhallavägen 105, Stockholm (T-Bana Stadion)
Lars Graugaard (DK), Anders Friberg (KTH), Marcus Wrangö (KMH)

10.00 Introduktion till SUM / Lars Graugaard
11.00 Känslor i musik / Anders Friberg
12.00 Probabilistic melody maker / Anders Friberg & Lars Graugaard
13.00 Lunch
14.00 Kreativa möjligheter
Systematiskt bruk av känslor i musik / Lars Graugaard
15.00 Demo: Gestiska sensorer / Marcus Wrangö
16.00 Tillämpningar och presentationer
(re-new digital arts festival) / Lars Graugaard
17.00 Slut

Onsdag 17 februari, kl 20.00. Fylkingen, Torkel Knutssongatan 2, Stockholm (T-Bana Mariatorget)

Symposiet är gratis, konserten kostar 80 kr (student 60 kr).


Some info in Swedish only about the course Sonic culture – soundscapes and the making of sound at Linköping university.

Ljudkultur – ljudlandskap och skapande av ljud är en fristående kurs (30 hp) vid Institutionen för studier av samhällsutveckling och kultur/Enheten Kultur Samhälle Mediegestaltning på Linköpings universitet, Campus Norrköping. Den ges på både grundläggande och avancerad nivå och startar höstterminen 2010. Lärare är bl.a. Magnus Alexanderson.

Call for Papers: COMPROVISATIONS – Improvisation Systems in Performing Arts and Technologies

22nd International Conference on Systems Research, Informatics And Cybernetics
August, 2­-6, 2010
Markgraf-­Ludwig Gymnasium, Hardstrasse 2, Baden-­Baden, Germany

Special Focus Symposion (August 5, 2010) on COMPROVISATIONS – Improvisation Systems in Performing Arts and Technologies

Submission details are available as a PDF.

“Sound is Motion” symposium and doctoral thesis defence

KTH, Stockholm, Sweden, February 11-12

A symposium entitled “Sound is Motion” will be held on February 11, in connection to Kjetil Falkenberg Hansen’s doctoral thesis defence on February 12. Both events take place at the Department for Speech, Music and Hearing, KTH, in Stockholm, and are open for all, and if you happen to be around Stockholm at the time, you are very welcome to participate.

“Sound is Motion” symposium, February 11, 14:00

Sound is usually the result of actions, such as body gestures or mechanical movements. Therefore sound is closely related to motion. Humans are very sensitive to variations of the acoustical signal in the time-frequency plane, making it possible to discriminate between body gestures even in sound.

In recent years, significant advances have been made in the study and development of techniques for musical motion data analysis and motion capture. In general, body gestures allow expressive control in sound production, and interpretation of gestures enables the extraction of the expressive content in human continuous actions.

In the “Sound is Motion” symposium, six experts will tackle the field of Sound and Motion from different perspectives. The symposium starts at 14:00. Place: Room Fantum, Department for Speech, Music and Hearing, KTH, in Stockholm.

“The acoustics and performance of DJ scratching” PhD defence, February 12, 10:00
Kjetil Falkenberg Hansen will defend his thesis “The acoustics and performance of DJ scratching. Analysis and modeling”. This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instrument. Scratching has developed to become a skillful instrument-playing practice with complex musical output. The impact on popular music culture has been significant, and for many, the DJ set-up of turntables and a mixer is now a natural instrument choice for undertaking a creative music activity. Six papers are included in the thesis, where the first three approach the acoustics and performance of scratching, and the second three approach scratch modeling and the DJ interface.

The defense starts at 10:00. Place: Room F2, Lindstedtsvägen 26, KTH, Stockholm

Via Roberto Bresin