Sound art and electronic music courses at Hola folkhögskola 2012

A distance learning course in sound art will be held during the first semester 2012 at Hola folkhögskola, close to Kramfors in Northern Sweden. Since the course info is in Swedish, I guess the course will be taught in Swedish, too. A rudimentary English translation of the course description:

The course is for artists and other interested who want to refine their ways of expressing themselves in sound. It is a course for those who want to broaden their styles with creative work with sound in sound art projects. The course includes seminars, projects under supervision, listening skills and analysis of sound in film, music, radio and web. Literature studies.

The application deadline is January 15, 2012.

Hola folkhögskola also has a distance learning course in electronic music with Pd for beginners, application deadline February 15, 2012, and a one-year course in Music production and audio engineering starting the second semester 2012. One can choose electronic music and sound design as a specialisation. Application deadline April 15, 2012.

Sound art courses in Sweden

There are at least two courses in sound art for active professionals (e.g. artists, musicians, sound engineers) that might be of interest this year.

The first is a one-year sound art course (M.A., 60 ECTS), at The Stockholm Academy of Dramatic Arts in Stockholm. The course is arranged in collaboration with EMS, and will be taught in Swedish. The course info is also in Swedish, but with some help from a well-known free online service, I’ve translated it thus:

The master’s programme in sound art is a multi-disciplinary training aimed at professionals who are interested to deepen and explore sound art. The training focuses on sound installation and you will explore how sound can be used in different rooms and on different types of sites.

The purpose of the course is to provide an overview of methods and processes within the sound art field, and an understanding of the role of sound in contemporary art.

The goal is to help you gain knowledge and understanding of sound installation in public and other rooms, and how to use sound as a tool in various types of artistic production. In parallel with ongoing practical production training, we will discuss artistic courage and the ethical approach to working with sound in public places.

The second is a distance learning course in sound art and sound design (15 ECTS), at The Department of Music and Media at Luleå University of Technology in Piteå in Northern Sweden. Since the course info is in Swedish, I guess the course will be taught in Swedish, too. English translation:

The course is for artists and other interested who want to work with sound creation and sound design. Your individual production work is done continuously during the course and is combined with seminars, workshops, lectures, group work and individual supervision. Current events in the sound field may be treated on the course.

During the course you will meet active practitioners as lecturers and at workshops. You will learn about various tools like Pure Data and Audiomulch, solder piezo-electric microphones, work with field recordings and sound installations interspersed with studies of existing sound/sound design-work, and immerse yourself in your own project to be presented at the end of the course.

Four meetings during autumn 2011 and 2-3 meetings in spring 2012, combined with distance learning at any place.

The application deadline for both courses is April 15, 2011. The deadline for the course at the Stockholm Academy of Dramatic Arts has been extended to May 17, 2011.

SuperCollider workshop in Bergen

Tuesday 28. September – Friday 1. October, Bergen, Norway

BEK, the Bergen center for electronic arts, invites musicians, programmers and composers to a four-days workshop focusing on the software MODALITY. It’s free to attend, but you have to cover your own travel and stay.

Modality is a tool for building electro-instruments in SuperCollider under construction by Jeff Carey og Bjørnar Habbestad. The workshop will elucidate this development through presentations, discussions and open code-sessions.

Invited participants are Jeff Carey, Alberto di Campo, Wouter Snoei and Marije Baalman, Trond Lossius and Bjørnar Habbestad. themes to be covered are: Modal Control strategies, sensor input, DBAP spatialisation, Proxy Space, Quark, Mapping strategies etc.

The workshop is open for participants skilled in working with SuperCollider.

Contact BEK v/ Lars Ove Toft for registration. lars.ove.toftATbek.no

Ljudkultur

Some info in Swedish only about the course Sonic culture – soundscapes and the making of sound at Linköping university.

Ljudkultur – ljudlandskap och skapande av ljud är en fristående kurs (30 hp) vid Institutionen för studier av samhällsutveckling och kultur/Enheten Kultur Samhälle Mediegestaltning på Linköpings universitet, Campus Norrköping. Den ges på både grundläggande och avancerad nivå och startar höstterminen 2010. Lärare är bl.a. Magnus Alexanderson.

Call for participation: FTM Workshop at BEK

In March BEK will be hosting a one-week workshop providing an introduction to the Ircam libraries FTM, MnM, Gabor and MnM. This one-week workshop will look into the basics and the advanced use of the FTM&Co extensions for Max/MSP for interactive real-time musical and artistic applications.

The basic idea of FTM is to extend the data types exchanged between the objects in a Max/MSP patch by complex data structures such as matrices, sequences, dictionaries, break point functions, tuples and whatever might seem helpful for the processing of music, sound and motion capture data. It also comprises visualization and editor components, and operators (expressions and externals) on these data structures, together with file import/export (SDIF, MIDI, …) operators.

As examples of applications in the areas of sound analysis, transformation and synthesis, gesture following, and manipulation of musical scores, we will look at the parts and packages of FTM that allow arbitrary-rate signal processing (Gabor), matrix operations, statistics, machine learning (MnM), corpus-based synthesis (CataRT), sound description data exchange (SDIF), and Jitter support. The presented concepts will be tried and confirmed by applying them to programming exercises of real-time musical applications, and free experimentation.

The workshop is led by Diemo Schwarz.

BIOGRAPHY
Diemo Schwarz is a researcher–developer in real-time applications of computers to music with the aim of improving musical interaction, notably sound analysis–synthesis, and interactive corpus-based concatenative synthesis.

Since 1997 at Ircam (Institut de Recherche et Coordination Acoustique-Musique) in Paris, France, he combined his studies of computer science and computational linguistics at the University of Stuttgart, Germany, with his interest in music, being an active performer and musician. He holds a PhD in computer science applied to music from the University of Paris, awarded in 2004 for the development of a new method of concatenative musical sound synthesis by unit selection from a large database. This work is continued in the CataRT application for real-time interactive corpus-based concatenative synthesis within Ircam’s Real-Time Music Interaction (IMTR) team.

PRACTICAL INFO
The workshop takes place at BEK, Bergen, Norway, March 9-13 2009, and ends with a live event/concert at Landmark on the evening of Friday March 13, featuring Diemo Schwarz, Vicotria Johnson (electric violin) and the South-African sound artist James Webb.

Participation: Please sent a brief e-mail providing motivation and bio to bek[AT]bek[DOT]no by February 5 2009. Participation is free, but participants are expected to cover travel and stay themselves. BEK might be able to help arranging hotel at reduced rate for participants. If this is of intererest, please state so when appliying to participate.

Participants are expected to have prior knowledge of Max.

Links:

http://www.bek.no/

http://imtr.ircam.fr/
http://ftm.ircam.fr/
http://ftm.ircam.fr/index.php/Gabor
http://ftm.ircam.fr/index.php/MnM
http://imtr.ircam.fr/index.php/CataRT

http://recherche.ircam.fr/equipes/analyse-synthese/schwarz/
http://recherche.ircam.fr/equipes/analyse-synthese/schwarz/mtbf/