In the latest issue of Fylkingen’s journal Hz you will find an article of mine, Electronic music archives in the collection of The Swedish Performing Arts Agency. It is a translation from the Swedish original (which contains a few more pictures) from Dokumenterat no. 45. This text supersedes my earlier post on Swedish EAM archives, although the latter has some additional info.
Thanks to Sachiko Hayashi, the editor of Hz, who also contributes an article to this issue, A brief historical overview of Fylkingen’s journals. Thanks also to Isabel Thomson, who checked the translation.
The other articles in Hz #19 are:
- Martyn Hudson: What, am i hearing light? Listening through Jean-Luc Nancy
- Florian Cramer: What is ‘post-digital’?
- Michael Betancourt: Critical glitches and glitch art
- Edward Picot: Mixing it: 12 remixes by Michael Szpakowski
- Laura Plana Gracia: Landscapes {soundscapes: Dronestrikes on Saturn
- Ben Grosser: How the technological design of Facebook homogenizes identity and limits personal representation
- Aymeric Mansoux: My lawyer is an artist: Free culture licenses as art manifesto
- Robert Spahr: Cruft: art from digital leftovers
- Alan Sondheim: Outline for a talk on blank that can’t be given
- Kevin Logan: Rolling stones gets me no satisfaction
- Gx Jupitter-Larsen: Ordinarily nowhere